This is a museum-quality art print on thick matte or glossy paper which produce beautiful colors and rich black and white tones using archival pigment inks, designed to last for 100 years without losing its original beauty.
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"Self Looking At Self" is a maximalist portrait of identity and confrontation. The artist, Lev Gorn, also a known film and TV actor, looks back directly at the viewer, challenging the perception of who holds the creative gaze. The piece asserts that the viewer is the artist, dissolving the line between subject and observer. Crucially, the dense visuals encapsulate the chaotic life of the artist, transforming simple introspection into a complex, layered negotiation of reality, fame, and personal turmoil.
This series is an unedited, adrenaline-fueled conversation with chaos; a direct commentary on how completely we are immersed in pop culture. The pieces race a thousand miles a minute from the subconscious and explode into our conscious. Lev layers hundreds of carefully selected photographs to create vibrant cross-sections of the modern psyche, a dense architectural mapping of thought and digital noise.
Iconic works like The Fertilized Child, Brooklyn Vice, Friendship are not merely compositions, they are fever dreams of the post-modern age celebrating the intense layered reality and exhilarating visual density of contemporary life where every surface is a scream and every moment is packed with information. This Maximalist work asserts that saturation is the new silence and complexity is the only honest language left.
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