This is a museum-quality art print on thick matte or glossy paper which produce beautiful colors and rich black and white tones using archival pigment inks, designed to last for 100 years without losing its original beauty.
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The subject, a highly intimate and abstract view of a goat’s rear end, fundamentally reverses the traditional idea of an artistic muse. By rendering this form in stark black and white, Lev strips away all context to emphasize the sheer texture, density, and surprising geometry of the animal. The title becomes a profound, almost philosophical commentary on the human-animal divide, engaging the viewer to confront the "reverse of us".
In this collection, Lev strips away color to reveal the pure essence of form, light, and feeling; forcing the viewer into a more intense engagement with the image. By removing the distraction of color, the work compels a focus on the fundamental visual elements: texture, line, and composition. From the sharp, decisive angles of Prow to the quiet, complex contemplation of The Saint's Mudra, the works distill subjects down to their core architectural and emotional truths.
These black and white images feel both timeless and profoundly simple, appearing in stark contrast to the overwhelming, colorful density of our daily lives, creating a powerful tension that demands and rewards prolonged attention. This contrast makes the subtle details of light and shadow become the central subjects, revealing a depth and psychological complexity often obscured by color.
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